the kilimanjaro darkjazz ensemble - the kilimanjaro darkjazz ensemble

.:: The Kilimanjaro Darkjazz Ensemble’s form of mutant jazz, slithers and slides...delicately painful. Each song, a little story of heartache, hope and perseverance, seemlessly fusing analogue and digital.
Soundtracks to non-existing movies, inspired by the worlds of The Quay Brothers, Hieronymus Bosch, Picasso, Goya, Murnau and Lang.
The self titled debut released on Planet Mu in April 2006.

Jason Kohnen and Gideon Kiers started TKDE around the turn of the century, creating new soundtracks to existing silent movies such as Murnau’s Nosferatu and Lang’s Metropolis. Both graduates of the School of Arts and majoring in audiovisuals and multimedia, the audio/visual concept developped into creating ‘visual’ music supported by existing film fragments to intensify the audio.

The Quay Brothers became a big inspiration for their debut album, their surreal world combined many weird and wonderful aspects to strengthen TKDE’s sound.
Hilary Jeffery on trombone joined in 2004, a master in trombone improvisation, and a breathing shadow of TKDE.
Nina Hitz on cello and Eelco Bosman on guitar and Charlotte Lica on vocal improvs form the TKDE live quintet or sextet, with Kiers providing drums, sequencing and visuals and Kohnen the bass, synths and sequencing.

Dark cinematic jazz alert here people, so if you like The Cinematic Orchestra (TCO), The Broadway Project or Amon Tobin, please read on.

Kilimanjaro Darkjazz Ensemble (KDE) might be new to some, so first off a quick introduction. They are a duo consisting of Jason Kohnen (Bong-Ra) and Gideon Kiers (Telcosystems). They formed KDE in and around 2000, and started out by creating soundtracks to moody silent films such as Murnau's Nosferatu and Lang's Metropolis. Mainly being a Kohnen/Kiers project, they’ve also added some new members for this album such as Hilary Jeffrey on trombone, Nina Hitz on Cello and Edwin Loman on guitar. The album is apparently heavily inspired by Philadelphia filmmakers and surrealist animators The Quay Brothers, and it is their second release as KDE after their remix for JMX's ’1.2.AB’ 12” released on Life Enhancing Audio in 2003. And what an album it is. Take a piece of The Cinematic Orchestra’s cinematic jazz, a dash of The Broadway Project’s dark/noir, a hint of Amon Tobin’s twisted mutant jazz and a little Freeform Arkestra orchestral ambience. Throw in a minipinch of Dj Shadow and Major Force West, and a good dose of Planet Mu-ism and you’re pretty much there. As you might have understood by now, it’s a very versatile album.

Take the opening track ’The Nothing Changes’ for example. A simple shuffle/percussive backdrop with a heavy upright bass to kill for, sweet strings, a haunting guitar and horror cinema horns on top.

Pure quality! ’Pearls for Swine’ hints towards Dj Shadow, although with a little more sophisticated electronics. Track tree is pure cinematic jazz loveliness, and having a big soft spot for TCO, this is one of my favourites on the album. ’Lobby’ is probably the most progressive track on the CD, starting off smooth with only cellos and muted shufflebeats, adding twisted
keys and sound effects as it progresses and builds itself to a horror flick climax of noise at the end. Massive track! Onto even more sweet TCO like cinematic jazziness on ’Parallel Corners’, while ’Rivers of Congo’ takes us deeper and darker into Darkjazz noir landscapes. The imaginary motion picture soundtrack continues along a fine cinematic jazz red line until the next to last track ’Vegas’ stirs tings up again to Squarepusher-esque heights, before the epic grand finale that is ’March of the Swine’ sets in. A 20-minute long journey that makes this album from The Kilimanjaro Darkjazz Ensemble complete. I would love to see the movie...

This is a great great album that comes highly recommended from this Beyondjazzer. It needs your attention, so go check it out!

download: the kilimanjaro darkjazz ensemble - the kilimanjaro darkjazz ensemble

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