.:: Having reached a new level of variety and elegant restraint combined with brusque power on Wings of Joy, the foursome continued exploring such combinations on Forever without simply rehashing the previous album. If anything, the album went to extremes in both directions -the quieter moments were even more hushed and shadowed, the louder points all that much more whipsnap cruel. "Cloudless" remains the album's most sweetly beautiful, truly haunting moment.
Over what sounds like a synthesized combination of plucked violin and keyboards, doubtless played by Jim Shaw, sister Alison delivers a softly husky vocal that slowly grows in strength. More synth strings swell up in the background, just enough, followed later by gentle electric guitar and at the end distant drums.
On a completely different tip, there's "Clear," its searing, blunt lead guitar line matched by a massive rhythm slam, only occasionally interrupted by a quieter moment or two before launching back into the full band attack. "Jewel" ended up being a surprise U.K. and U.S. hit, though thanks to a somewhat transformed remix courtesy of longtime fan Robert Smith (in fact, Forever takes its name from a Cure rarity of the same title).
.:: just for the record:
Early on in their recording and performing career, the music of Cranes borrowed from both the industrial/avant-garde, deconstructive style of bands such as Einstürzende Neubauten, and the ethereal labyrinths of acts like Cocteau Twins. Following a general softening of their sound, the introduction of pop elements to their music, and a world tour with The Cure in 1992, the band's popularity increased, and peaked with the release of the albums Forever and Loved.
The band fell silent for a period of approximately four years after the release of Population 4 in 1997, but did not actually break up. In the early 2000s, they began writing music again, and released Future Songs and Particles and Waves on their own label, Dadaphonic. These albums signified a change in the overall style of their music, emphasising its ambient, ethereal qualities. Despite heading in a more electronic direction, however, the band's music continued to revolve around Alison Shaw's distinctive singing.
download: cranes - forever
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